intimate, but not secretive. private, in a way that invites you to discover. a spatial and emotional extension of the tactile, atmospheric and dreamy values, letting the purity of the line and the poetic of the materials do all the talking. at the centre is travertine marble, expressive rather than monumental, used in basrelief, in open or closed grain, in crust or engraved with stripes, for walls, furnishing and, cut into large slabs dotted with coloured mosaic glass, for the floor.

the journey takes a sensual turn as it merges with light: the transparent impalpability of the curtains, behind which lightboxes create lantern effects, alternates with the voluptuous density of the velvet, quilted with found buttons gathered along journeys and lining the walls of the dressing rooms. pebbles create a mineral lace texture over the stairs.

the dreamlike presence of the brass sculptural curtain on which the glass ampoules made by massimo lunardon capture the transience of thoughts and inspirations is mixed with the vegetal and domestic touch of the strelitzia plants that sprout from the travertine vase.