each eye, a path.
emotional, timeless classicism,
sculpted by hands and feelings.
each eye, a path.
emotional, timeless classicism,
sculpted by hands and feelings.
the space is permeated by the lyrical warmth of the imperfect human touch, which is
always palpable in the treatments and finishes. the feel of the hand–made gives
everything presence and character. the balance of contrasting elements defines a
harmony full of surprises, in which delicacy and assertiveness fade into one
another.
the space is permeated by the lyrical warmth of the imperfect human touch, which is
always palpable in the treatments and finishes. the feel of the hand–made gives
everything presence and character. the balance of contrasting elements defines a
harmony full of surprises, in which delicacy and assertiveness fade into one
another.
granite takes the leading role: on the floors, on the boiserie and in the furnishing
elements. it is granite crossed with luminescent traces of quartz and with brass
insertions, or laid in geometric patterns that warm up and morph the stone’s
masculine solidity. pink onyx is a feminine and precious presence that punctuates
the spatial discourse: a small table, a part of the cash desk, the entrance step.
granite takes the leading role: on the floors, on the boiserie and in the furnishing
elements. it is granite crossed with luminescent traces of quartz and with brass
insertions, or laid in geometric patterns that warm up and morph the stone’s
masculine solidity. pink onyx is a feminine and precious presence that punctuates
the spatial discourse: a small table, a part of the cash desk, the entrance step.
brass is the calligraphic signature that harmonizes the story. akin to a light freehand
sign drawn in space, it defines the display elements, the shape of the mirrors, the
portholes and the silhouette of the dressing rooms, the suspended shelf of the
display cabinet.
brass is the calligraphic signature that harmonizes the story. akin to a light freehand
sign drawn in space, it defines the display elements, the shape of the mirrors, the
portholes and the silhouette of the dressing rooms, the suspended shelf of the
display cabinet.
the harmony of lines and curves, of gray and pink, of white and metal is a defining
character. a curved wall covered with gold leaf hides and contains the warehouse
area; the welcoming dressing rooms are closed by frosted brass hinged doors.
sofas and vases add a homely touch; plants are a presence that further enriches the
layering of textures. mirror triptychs, white full–length linen curtains, chandeliers
wrapped around columns add further nuance.
the harmony of lines and curves, of gray and pink, of white and metal is a defining
character. a curved wall covered with gold leaf hides and contains the warehouse
area; the welcoming dressing rooms are closed by frosted brass hinged doors.
sofas and vases add a homely touch; plants are a presence that further enriches the
layering of textures. mirror triptychs, white full–length linen curtains, chandeliers
wrapped around columns add further nuance.
the juxtaposition of materials is a play of light and density: the transparent
impalpability of the curtains, behind which lightboxes create lantern effects,
alternates with the voluptuous density of the capitonné velvet of the dressing rooms,
the serenity of the granite with the metallic warmth of the brass and the firm
delicacy of onyx. ancient stones collected during a journey, small jade stones and
an afghan stone stalactite look molded by time. the leather seats – light–colored and
perforated like old gloves, studded like an ashlar – are an assertively classic presence.
the juxtaposition of materials is a play of light and density: the transparent
impalpability of the curtains, behind which lightboxes create lantern effects,
alternates with the voluptuous density of the capitonné velvet of the dressing rooms,
the serenity of the granite with the metallic warmth of the brass and the firm
delicacy of onyx. ancient stones collected during a journey, small jade stones and
an afghan stone stalactite look molded by time. the leather seats – light–colored and
perforated like old gloves, studded like an ashlar – are an assertively classic presence.
the point of view becomes
a point of departure.