matter moulds the atmosphere and impregnates it, in a continuous osmosis that defines the environment. a balance of sentiment and geometry, a sense of gentle, frivolous austerity comes to the fore.
the large, white, sculptural central pillar which sinks into the ceiling and opens up in a ray of ribs, almost like an abstract inflorescence, that dominates the environment and dictates the architectural rhythm. starting from this core element, irregularity becomes harmony.

the eclecticism that is charged with a sensual energy polarized on the offset of masculine and feminine, curves and angles, geometry and sentiment that touches brutalistic cords without giving up poetry and feminine delicacy.

the sharp lines with a brutalist flavour, which are found in the armchairs covered in gold leaf with perforated leather cushions and in the grey stone tables are contrasted with more decidedly feminine circular shapes: the dressing room made of gilded curtain surrounded by a cage of brass poles, which can be accessed through massive swing doors, also made of brass, to enter an aquamarine-coloured environment that envelops and embraces with a sense of velvety intimacy; the semicircular monolithic bench with leather cushion; the sculptural cash desk in green iranian stone with a sinuous profile; the ceramic display elements. 

the powder pink carpet placed in the centre of the room follows an irregular geometry, as well as the bright pink block of the stairwell that dynamically ascends to the ceiling leading to the upper floor.